Posted on Leave a comment

January Newsletter with Free Books Link

Spending Christmas Morning with My 3-Year-Old Grandson

There’s a singular delight that envelops Christmas, especially when you’re spending it with your spirited 3-year-old grandson. The joy reflected in his curious eyes as they see freshly the amazement of this joyful day is a thrill to witness.

The anticipation in the house is palpable as tiny feet patter across the floor, eager to uncover what awaits under the glistening tree. Wrapping paper flies like confetti, revealing carefully chosen gifts that elicit squeals of delight. The joy on their faces, pure and unfiltered, is nothing short of heartwarming.

Engaging with a 3-year-old on Christmas morning is like conducting a symphony of happiness. Every moment becomes an opportunity for fun and exploration. It’s not just about the gifts; it’s about the time spent together, creating memories that will last a lifetime. These moments aren’t just about play; they’re about fostering imagination, creativity, and the bond between you.

The joy of Christmas extends beyond the day. It’s about sharing giggles over spilled cocoa, and a kitchen filled with the aroma of freshly baked cookies—creating traditions that will become the fabric of their childhood memories.

I try to remember, it’s okay if things aren’t picture-perfect. I embrace the chaos and the occasional meltdowns—they’re all part of this beautifully messy journey.

I’ve spent most of the last decade running away from my prior life, determined to forge a new future by retiring abroad. This Christmas, I reveled in the magic of the season and let the wonder in my grandchild’s eyes remind me of the beauty in life’s simplest pleasures. Instead of walking around saying, “Bah! Humbug!” I resolved to embrace every cuddle, every shared giggle, and every heartfelt “I love you.” After all, these moments are the real gifts that make this season truly charmed.

I’d love to include some photos of him making a gingerbread house, riding the Christmas train at the mall, and opening presents, but his parents have the good sense to be cautious about putting him out on the internet. So instead, I give you our Florida weather forecast from Christmas Eve:

Available free in Kindle Unlimited for all of January. 
Click here to get them now!
Work in Progress

Every author reaches at least one point in creating a book where the entire concept seems hopelessly overwhelming. For me, it comes when I’ve set all the characters and plotlines in motion and it’s time to weave the strands together into a coherent tapestry. Sci-fi writers don the mantle of futurists, envisioning worlds yet to come while dissecting the present with a discerning eye. It’s a canvas for contemplating the rapid evolution of technology, society, and human behavior. Particularly in a world like today’s, where changes are coming fast and frantic, making no sense and threatening disaster, it helps to imagine what might happen in five hundred years. It brings perspective.

The beauty of science fiction lies in its ability to extrapolate current trends and speculate on their potential outcomes. As I work on the Savage Earth novels, the worldbuilding involves delving into the impact of scientific advancements, societal shifts, and the fusion of humanity with technology. By envisioning these futures, my goal is not only to entertain, but also to engage in a deep exploration of the forces propelling our world forward. I firmly retain the basic facts of human nature and conceive how they might collide with the consequences of change.

This book trilogy examines the societal implications of genetic engineering, faster-than-light space travel, and the restructuring of human experience through technology. Ultimately, though, it will be a story of human beings questioning the ethical, moral, and existential dilemmas of culture, connection, and commitment (in that sense, all science fiction is just a retelling of Shelley’s Frankenstein). The “what ifs” that steer the trajectory of the heros and villains include continuations of today’s deep shifts in the meanings of family and love, as well as of power and art.

Maybe that’s why I keep feeling a profound urge to write poetry of the unfathomable currents of life’s vicissitudes. Ultimately, science-fiction authors aren’t just storytellers; we are observers of the present, interpreters of the past, and architects of the future.

Posted on Leave a comment

Excerpt from Catallaxis

Behind a concealing boulder, he knotted a strip of woven material around his midsection as a loincloth, then waded out chest-deep into the water.

The sea was pretty turbid, but in the foot or so of visibility, he could see ctenophores surfacing periodically and then sinking into the waves. After a few minutes, he realized the water must be teeming with them. He scooped at one, attempting to catch it. It slithered over his fingers and jetted away, turning a brilliant orange as it did so. He tried again, and again, but got nothing but tickles of slimy tentacles and plenty of splashing.

After a few minutes of this, his face was flushed, his eyes stung, and his mouth tasted of salt. He turned to wade to shore, but then a single beast swam up right in front of him and hovered at the water’s surface. He rubbed his eyes and bent to look more closely at it. He observed the creature had distinct eyes, with pupils shaped like commas, and this pair of eyes appeared to be looking intently at him. Tentatively, he dipped his hand into the water. This time, the animal swam directly into it. It balanced patiently in his palm as he lifted it out of the water and examined it.

It was the size and shape of a small mango, with ten flexible legs arranged near the two eyes he’d already observed. He assumed that the complicated structures buried amidst the legs were its mouth parts. Its body was segmented in five, and each of the five segments had structures floating in it that resembled circuit boards, but with no corners; all the edges were rounded. Its skin was translucent. As he watched, a large patch on its back flattened out and turned an opaque white. Ge’ez characters floated to the surface of the screen.

Posted on Leave a comment

SciFi Magpie’s Take on the Eupocalypse

The insightful and quirky blog of sci-fi writer/editor Michelle Brown, SciFi Magpie, made mention of the Eupocalypse series this week. It’s a rare honor for an editor to step out and highlight one of her clients’ work in her own valuable blog real estate, so on that count I am grateful. But on another level, her post is very insightful about the reasons we read (an write) post-apocalyptic fiction

SciFi Magpie Screen Shot 2018-11-27 at 15.12.37
Sci-Fi Magpie

and what gifts we take from it.

Give it a read:

https://scifimagpie.blogspot.com/2018/11/bad-broken-and-seed-of-hope-how-dark.html

Posted on Leave a comment

The South

There’s a reason the first chapter of Machine Sickness starts in the South. There’s a reason Deirdre Davis is a southerner. That wasn’t by chance, and it wasn’t solely because I chose to follow the classic writer’s advice to “write what you know.” I have lived in the southern USA for more of my life than anywhere else, but I was born in the West, grew up in New York City,  went to undergrad school in Chicago, got my Doctor of Chiropractic degree in Atlanta, and now I live in Mexico.

The shame and rage that Americans feel about the hypocrisy of a nation supposedly based on freedom that compromised that principle for political unity, is othered and alienated and transferred to the South. To read mainstream media, you would think that slavery, legally-mandated segregation, racial massacres, and lynching were isolated only in the South and performed only by Southerners, whereas the truth is that these abhorrent practices were common in the North even after slave importation was banned and even after the passage of the 13th Amendment. Reading mainstream media, you’d imagine that the people whom it is still okay to refer to by ethnic pejoratives like “redneck” and “hillbilly” (usually preceded by the word “ignorant”), were the ones responsible for slavery, when the “poor white trash” of the South were overwhelmingly not slave owners and some suffered from a job market depressed by slave labor. While the elite generals of the Union were wined and dined by plantation owners, the 1-percenters of their day, these people were scorned. The plagues of domestic violence, alcoholism, and learned economic helplessness descended through generations.

The historical awareness among Scots-Irish descendants of being on the losing side of the Civil War is exacerbated by the tradition of military honor and clan loyalty passed down from their gaelic-language-speaking ancestors of the British Isles. The sense of unfair play of small holders, sharecroppers, and agricultural workers, whose red necks came from exposing white skin to the Southern sun while growing the raw materials for Northern factories, yielded a coarse and sometimes grim sense of humor, so that DD remembers her mother saying she was “always one to call a spade a goddam shovel.”

In DD, you have a character somewhat like Detective Clarice Starling in the Hannibal Lecter stories. In one prison interview scene, Hannibal gets under Clarice’s skin by pointing out that she is only a couple of generations removed “from poor white trash.” DD is a brilliant scientist, a highly educated woman, but she will never completely shake the hypervigilance and pragmatism of her background; her family relationships reflect a modern alienation as well as epigenetic dysfunction; she doesn’t design or engineer, she tinkers. She’s acutely aware of physical threats to her safety in ways that people who’ve always felt safe are not, but what goes unstated is that she’s also aware of those who are superlatively safe and don’t feel like it.

Yet, the Eupocalypse is an opportunity to start over in a world where notions of class and wealth, risk and safety, are recalibrated. It’s a world where the materials of modern life are lost, but the ideas are not.

Posted on 1 Comment

Free Fantasy Story

Nefertiri’s Warriors is a short fantasy story which occurs in the future of the second book in the Eupocalypse series, Watch it Burn, to be published in early 2018. Fill out the form below to receive notifications of free books and stories, and to be among the first to know when the next book in the series is published!

[convertkit form=5102779]

Posted on Leave a comment

Free e-Book Sunday and Monday

As a special promotion to celebrate its redesigned cover, Machine Sickness will be free on Amazon for two days only: Sunday, November 5, and Monday, November 6. This is your opportunity to read Book 1 of the Eupocalypse series for free.

 

Download it now!

Machine Sickness: The Eupocalypse Series: Book 1
Download it free for two days only!
Posted on Leave a comment

Excerpt: Watch It Burn

From Eupocalypse, Book 2:

And what a storm it was! The ozone from the lightning, borne on the frigid whipping breeze, scoured the aroma of man-sweat and vomit from his awareness. He grasped a rope tied to the cabin wall. The lightning itself branched, over and over again, in dazzling revelation, its beauty gone before his eyes could drink it in, followed much too fast —much too close—by the earsplitting bang of thunder. The ship was arcing into the air on one wave and crashing down on the next, bringing torrents of seawater across the deck that washed unsecured shipmates overboard. A blinding flash came, at one with the thunder, raising his hair, and he looked up and saw that one of the sails was on fire.

Then a jolt knocked Li’s hand loose of the rope and sent him sprawling against the rail. The ship had stopped moving, but the brutal force of the furious ocean had not. The next wave broke over the deck in frothing madness and took the stunned Li with it.

Posted on Leave a comment

Bolivar Beauty

Watching my friends on social media trying who are slowly recuperating from Harvey’s devastation, I recall the beauty of the Bolivar peninsula, east of Houston. I was so enamored of the beauty of the area when I visited there about three years ago that I located much of the early part of Machine Sickness in the area.  The people of the area struck me as deeply self-reliant and resourceful, and that was part of why I set the beginning of the global catastrophe as occurring in the offshore oil platforms of the Texas Gulf Coast. While disaster fiction can be entertaining, it is heartbreaking to think of a real-life disaster striking the area described in the book:

 

Right? Or left? To her left, a jacked-up pickup truck was parked on the sand about a quarter mile away, but she didn’t see the occupants. She turned right instead and picked a random destination for her walk. Half a mile or so south was a cheerful apricot-colored house right across from a head of sand pointed into the water; that was her mark. She started towards it, savoring the sun on the left side of her face. The mid-morning temperature was just right for a walk, with a breeze that was cooling but not icy, and she settled into a soft-kneed, easy pace on the sand. Low wavelets broke with soft sighing sounds. A lone pelican cruised by, south-to-north, perhaps fifty feet above the waves. She swung her arms as she walked, making huge circles like 3D snow-angel wings, trying to release the road tension from her neck. She paused and shaded her eyes, turning in a circle.
The distant truck’s occupants turned out to be a white man and woman, now seated on a blanket and watching a small beige child play with a pail and shovel. DD spotted the oil rigs, just far enough out that one could see them only on the clearest of days, like today. And there was something moving near the rigs, a boat, too far out even to get an idea if it was a small, slow, close craft or a large, fast, far one.

And another snippet about the ferry between Galveston and Bolivar:

At the boarding station, she obeyed the ferry crew, who gestured with neon-yellow gloves for her to take lane number three. She pulled her little SUV in line where it was eclipsed behind a customized Ford Expedition, and lilliputianized next to an F-350 (yes, I’m in Texas, truck capital of the USA). She cut off the engine. The sun was two fingers’ breadth from setting and the bay was choppy, with steely gray waves in sharp regular rows like a bastard-cut file. The fall air was fresher now that the sun was low. A dolphin’s supple back gleamed briefly among the waves. Pelicans circled and dropped, lunging into the water with flapping feet.

The ferry’s motor was running, a slowly oscillating bass growl she could feel through the soles of her feet and up into her hips. She returned to her car and checked her e-mail: nothing pressing. She watched a tiny tugboat push a gigantic oil platform towards the cluster of refineries ashore. A group of laughing children ran along the beach. She glanced back down at her phone, then looked up and slammed her foot on the brake in panic, briefly disoriented seeing the dock pylons moving past her as the boat left its berth. The ship’s start had been so gradual she hadn’t felt the movement.

She got out of the car again and circled the walkways around the deck. Reaching the rail at the bow, she stood next to a bronze-faced Hispanic family: dad, mom, and three girls with silky long black hair, the youngest’s in two long braids. The sunset comprised utterly saturated, extravagant streaks of lemon yellow, apricot, and lavender. Another dolphin! The latex-shiny grey fin and back were gone, back below the whitecaps, even as she exclaimed aloud, “Dolphin!” The family scanned for it in vain, the little girl bouncing on her toes. DD smiled, thinking of her own innocent little girl, years ago, and a familiar pang of grief-guilt-fear shot down the smile, just as quickly.

The lights of Houston twinkled to life on the horizon below the sunset. She checked her phone again; five full bars of coverage, but still no response from Tim.

I know the people in the area are part of a strong and caring community, and they will help one another recuperate from the storm. As a believer in radical decentralization, I am always looking for local groups which put most of their resources into  love in action. Accordingly, I made a donation to the Cajun Navy, and I encourage you to donate as well.

Peri Dwyer Worrell